Welcome to another Bookish Friday, in which I share excerpts from books…and connect with other bloggers, who do the same.
To join in, just grab a book and share the opening lines…along with any thoughts you wish to give us; then turn to page 56 and excerpt anything on the page.
Then give us the title of the book, so others can add it to their lists!
What a great way to spend a Friday!
Today’s feature is an e-ARC from NetGalley with a release date of 1/24/17. The Girl Before, by J. P. Delaney, is an enthralling psychological thriller that spins one woman’s seemingly good fortune, and another woman’s mysterious fate, through a kaleidoscope of duplicity, death, and deception.
SOON TO BE A MAJOR MOTION PICTURE DIRECTED BY RON HOWARD
Beginning: (THEN: EMMA)
It’s a lovely little flat, the agent says with what could almost pass for genuine enthusiasm. Close to the amenities. And there’s that private bit of roof. That could become a sun terrace, subject of course to the landlord’s consent.
Nice, Simon agrees, trying not to catch my eye.
56%: (NOW: JANE)
“I have to go away.”
“So soon?” It’s only been a few weeks since Edward moved in. We’ve been happy together. I know it in my heart, but I also know it from the metrics, which Edward has been doing along with me.
Synopsis: Please make a list of every possession you consider essential to your life.
The request seems odd, even intrusive—and for the two women who answer, the consequences are devastating.
Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant—and it does.
After a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street she is instantly drawn to the space—and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home’s previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror, as the girl before.
What do you think? Do these lines grip you, draw you in? Would you keep reading?